I have just started to cast thoughts ahead to the annual pilgrimage to the Ruhr and have started listing the games I hope to bring back from Germany in October. The list will grow over the conning months and as I am able to confirm stock will turn into pre-orders,
Two games have caught my eye already
'Sola Fide : The Reformation in Europe' is a 2 player Catolic v Protestant reformation battle from Jason Matthews and Christian Leonhard
and
'Fabled Fruit' (Friedemann Friese) has a mechanic akin to the Legacy system but without the game parts being altered. Both of these games are being published by Stronghold who have a most impressive 2nd half line up of games including 'Great Western Trail', 'Fuji Flush', 'Fog of War', 'Jorvik' and 'The Pursuit of Happiness'
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To read the full articles below, please follow the link to their own pages.
Is it really in stock?
I am
often asked - Is it really in stock?
The
short answer is yes. If you can add it to cart (i.e. purchase it) then it is
either in the warehouse or is a confirmed pre-release. If it’s a pre-release it
will be clearly noted at the top of the long and short descriptions.
This note will tell you when we expect the game to arrive.
If it
is not in stock (or a pre-order) then you can not purchase the game.
The
long answer is that I feel very strongly that if a customer purchases a game
from me then they can do it on the basis of having confidence that they will
receive it. The idea that you receive something you paid for is not
unreasonable, however it is not uncommon in board game retailing for shops to
sell games they do not have in stock and can not supply. When I started
boardgameguru in 2008, two
recent shopping experiences had made an impression on me – the first was seeing
a game I had
wanted for ages in
stock at shop 'x' (now closed) and being just under the threshold for a discount
I ordered another game to get over the £50 threshold. The next day the game I
had ordered to get me over the threshold turned up but the game I really wanted was out of
stock and refunded (and so I lost my discount).
The second was another game that I ordered from shop 'y' only to receive a refund
a few days later with an email saying ‘this has been unavailable
for ages’ – to which my reply was ‘why waste my time by showing as in stock’? .
New release highlights 140616
Lots of great games this week
One of each of these will not make it as far the stock room shelves
'Animals on Board' (smash hit for Pegasus at UKGames Expo) , 'Nina & Pinta' (which received a glowing report from The Opinionated Gamers ) and 'Broom Service : The Card Game' (The game seems to have come full circle being the card game of a board game which was the board game of a a card game....). I just need to arrange some game nights...
One of each of these will not make it as far the stock room shelves
'Animals on Board' (smash hit for Pegasus at UKGames Expo) , 'Nina & Pinta' (which received a glowing report from The Opinionated Gamers ) and 'Broom Service : The Card Game' (The game seems to have come full circle being the card game of a board game which was the board game of a a card game....). I just need to arrange some game nights...
31st May New Release highlight
A 2 player co-operative game from Japan - 'The Ravens of Thri Sahashri' is probably the most unusual release of the week (if not the year...). One player is a girl who has lost her memory and the other a detective who is trying to help her restore her memory. I have to confess to owning this since its Essen 2014 release but not played it yet. The original release was only a few hundred copies and it has been republished to a wider audience by British publishing house Osprey. Osprey have quickly created themselves a reputation as astute game publishers having re packaged Peer Sylvesters King of Siam into (the excellent) 'The King is Dead' and the submarine wargame 'They Come Unseen'.
New releases sparking my interest - May 20th
'Tin Goose' is my most anticipated game for some time - a transport economic and risk management game from the designer of the superb 'Sekigahara' (Matt Calkins). I also like the theme of the pioneer age of commercial air travel. I am wondering how it compares to Martin Wallace's 'Aeroplanes' - maligned by some because of the dice rolling (and random turn order). I like 'Aeroplanes precisely because it created the risk management that might be required a new economic endeavor, you need a Plan B, C and D to survive. However, 'Tin Goose' promises No Luck and lots of the external economic shocks that plagued the industry. The difference is that the players control these events and it adds a layer of deduction and bluffing to the route building and airline management.
Also
'Imhotep' - From Phil Walker-Harding ('Cacao', 'Sushi Go' and 'Archaeology'), 'Imhotep' is a cut throat game of pyramid building that has been mentioned as a candidate for this years Spiel Des Jahres award.
BoardGameGuru Interview : Bevan Clatworthy (Ghostel; Tinkerbot Games)
BoardGameGuru Interview : Bevan
Clatworthy (Ghostel; Tinkerbot Games)
Interview by Angus Abranson
For our first BoardGameGuru interview
I contacted Bevan Clatworthy, an old friend and gaming buddy whose first
boardgame, ‘Ghostel’, is currently on Kickstarter through Tinkerbot Games.
Bevan Clatworthy, Tinkerbot Games and designer of 'Ghostel'
Spending his early life bouncing
around Europe as a member of the Army Brat Brigade his love affair with gaming
blossomed when he returned to his native Cornwall and further cemented itself
when he moved to Cardiff with a heady mix of new friends, funds and no bedtime.
Natural progression led Bevan to turn
his hand and imagination to designing his own games and following success in
the UK Games EXPO Redesign Competition he teamed up with Gino and Tony to form
Tinkerbot Games. Ghostel, both Bevan and Tinkerbots first game, is currently on
Kickstarter until Thursday 25th February 2016 and is well worth
checking out.
1) When did you first become interested in card and board games?
I think I first became interested in
'proper' board gaming when I was about 12 or 13, when I got copies of
HeroQuest, Space Crusade and the AD&D board game. I loved how different
these games were to the usual games of Monopoly, and these led me into the more
collectible games like Magic and Games Workshop miniatures.
2) What where your favourite games when you started, and what are your
favourite now?
I was always a big fan on wargaming
and collectible card games, but when I encountered Arkham Horror, well that was
the end of that! The concept of constantly needing to keep up with new models
or new cards was replaced by the wonderful 'it's all in one box' with the
occasional expansion to pick up later down the line. Plus the barrier to play
was removed, as I could find board and card games that suited everyone in my
playgroup. Now my favourites are worker placement games like Lords of Waterdeep
and Blood Rage, and the clever dice games like Elder Sign and Ninja Dice.
3) Do you feel your taste in games has changed since you began designing
games?
I reckon my taste hasn't changed a
great deal, as they're pretty varied! I'm happy to play anything (that's the
designer in me trying to learn as much as possible) and it's rare I find a game
I can't see something I enjoy, either in the theme or mechanics.
4) Different designers have various methods of designing their games.
Some start with a theme, others with a mechanic. What is your process like?
I'm definitely a thematic designer at
heart, but I'm tending to find these days I'll have an idea for a mechanic and
a theme will present itself as it mulls around my brain. Once the two are
married up, the theme definitely informs all the ancillary mechanics that turn
it from an exercise to a game.
5) What is your favourite part about designing games?
I think it's the buzz you get when
several playtesters have sat down to your fourth or fifth iteration of a game
you've been working on, and everyone is engaged by what you've designed. When
the players are showing true enjoyment of your game, that's what I really love
about designing.
6) What is the most difficult part in the design process?
For me, it's getting up the courage
to present that first prototype. It's invariably a mess with tons of head
scratching and sighing from bored and frustrated play testers. It's necessary
but it takes me quite a bit to subject myself to it.
Ghostel by Tinkerbot Games (2016)
7) Now I’ve been lucky enough to playtest Ghostel quite a bit over the last
few years. How would you describe the game in a paragraph to those who have not
heard of it?
Ghostel is a dice rolling worker
placement game for 2-4 players that plays in roughly 45-60 minutes. You play as
ghosts scaring visitors away from a hotel that used to be YOUR haunted house!
Are you the scariest ghost of the night?
8) How did the idea behind Ghostel develop?
It was after an evening playing a
game called Pirates of Nassau. I loved how this game rook the roll'n'move
mechanic and made it work as you used dice to navigate straits. It was this
idea of dropping off dice that was noodling around my brain when I was on a
drive back from Cardiff. It was Halloween and after driving past the umpteenth
window display of monsters and vampires the idea of ghosts using their dice to
'scare people' just materialised. Once I got home I quickly knocked up a basic
prototype, and all the little extra bits like the phobias and Spookie favours
just grew organically. I love that kind of design, where the theme just gives
extra little nuggets that tie the whole concept together.
Ghostel by Tinkerbot Games (2016)
9) You’re using Kickstarter to raise the money for the publication of
Ghostel. The campaign is currently running as we conduct this interview but how
have you found the experience so far?
Tiring! It's been very exciting to
get all the comments from backers, plus keeping up a presence on the internet
through social media and all the wonderful people making content for the hobby
gaming industry. It's also been very nerve-wracking, especially watching the
money counter tick up at varying paces during the campaign.
(Angus : You can find the Ghostel Kickstarter here!)
10) What are the biggest dangers in running a Kickstarter project and
how do you plan to combat these?
The biggest so far has been the
budget. It's so easy to put something up there without fully pricing everything
up, only to find out you're way over budget and can't fulfil everything you've
promised the backers.
The other is keeping up engagement.
If a Kickstarter is put up and left to run alone, it'll die on the vine as
pledgers just don't feel connected or confident the project creators are even
there. Keeping up good content and listening to our pledgers has been key to
our initial success.
11) Ghostel is being published by Tinkerbot Games. How did you meet the
other guys behind Tinkerbot and where did the idea to form the company and
publish yourselves come from?
We (myself, Gino and Tony) have known
each other for years, but it was only after we were all selected as finalists
for the UK Games EXPO redesign competition in 2014 that we thought 'maybe we
can work together in this'. We had plenty of ideas to go with, and the success
we had in the competition gave us the confidence to think seriously about
taking the next step and becoming a company.
We then assessed everything we had,
and Ghostel came top of the list. This left us with two options, find a
publisher or give it a go on our own. Now, we love a challenge, and Kickstarter
presented a great opportunity to learn about the hobby industry from the
inside, plus we would have more control over the content and timelines for
getting the game produced. It sounded like just what we were looking for.
12) What other games do Tinkerbot have planned post-Ghostel?
At the moment it's all about Ghostel,
however we do have some plans for a series of micro-games that could be put
together as a compilation.
13) Most designers have a few ideas, or fleshed out designs, waiting in
the wings. What do you think we may see from you as your next project?
We have a couple of others at later
stages of development, including a dragon farming deck building game, and a
dice drafting game about moving goats up and down rock mesas. The decision will
be which to look at first!
14) You’ve attended a few playtest and ‘Unpub’ events here in the UK.
How important do you feel these events are for designers (both published and
unpublished ones)?
These are incredibly important, and
not just for the opportunity to play test your games. You get the chance to
talk to fellow designers and to publishers and just soak up the accumulated
knowledge these people have. It gets you noticed, you become a face in the
industry and you get to build relationships in an industry that is close knit
and welcoming.
15) What are your tips for budding game designers? Anything to pay particular
attention or to try and avoid?
Play test like crazy, and don't be
afraid of change as you may find your earlier designs aren't the best.
That said, always remember the
original vision for a design and be discerning of the feedback you receive; if
it means completely compromising what you intended with a design, you may end
up with something you don't actually like or wouldn't play yourself. Extracting
and interpreting the best information from your play testing is a vital skill.
Bevan as one of the characters from 'Ghostel'
16) You’ve been to Spiel in Essen as an attendee in the past. How did
you find the experience? How important do you feel it was to attend the show as
a budding designer? Will we be seeing Tinkerbot Games there in the future?
Essen was amazing! To see the wealth
of designs out there, I was like the kid in the proverbial candy store,
bouncing from demos to shopping and even some of the peripheral things like
cosplay items and comics. It was under your advice Angus that I experienced
these larger shows as a member of public first, as I now know that working at
such events is an entirely different experience, one that doesn't lend itself
to just being able to wander off and enjoy all the amazing games.
For a designer, I think you should
definitely experience something like Essen as soon as possible. Not only will
it act as an inspiration to keep at those long nights of cutting up prototypes
and reading through game reports for updates, it acts as a cracking
barometer of what is in vogue in terms of the types of games that are popular.
This can help inform which direction or which design you want to focus on if
your plan is to get published. It's also a brilliant opportunity to meet these
publishers face to face and show your wares.
As for Tinkerbot Games being there
one year who knows?! That would be amazing, even if it was part of a joint
stall or something, we'll just have to see how we do with Ghostel and take it
from there.
17) Do you have a favourite designer? What attracts
you to their games and do you have a particular title which is your 'standout
game' by them?
My favourite designer would have to
be Antoine Bauza, although it's close! I just love the variety in his games and
the way they always evoke the theme through the strong mechanics. My favourite
of his designs would be Takenoko, those gorgeous bamboo pieces and the little
panda just make the simple mechanics pop!
18) What new board or card game, that's due for
release this year, are you most looking forward to and why?
My most looked forward to would be
Scythe from Jamey Stegmaier. It got a lot of buzz on Kickstarter, with it's
amazing looking artwork but it looks like a solid game is there to back it all
up. Plus it has giant mecha, which is like an auto-back for me.
19) What are your current Top 10 Games?
This was a tough list to put
together, and the order isn't really how I would rate these games as they have
a lot of variety in there. Let's just say these are my ten favourite games.
2) Rhino Hero
3) Blood Rage
4) Takenoko
5) Zombicide (any edition)
6) Five Tribes
7) Camel Up
8) Love Letter (the Batman version is
my favourite implementation)
9) King of Tokyo (although King of New York
is very close!)
LINKS
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Labels:
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Osprey Games to Republish 'Escape From Colditz 75th Anniversary Edition'!
Osprey Games was set up last year as part of the Osprey Publishing Group - who have been producing fantastic historical military books for decades, Osprey Publishing had already produced several wargames rules for miniature gaming but decided they also wanted to start producing card and board games - using their reputation for quality to bring out new games as well as to bring back long out of print classics.
They have already released several board and card games and had a presence at Essen Spiel this year but the announcement they've just made that they are working on a bringing back the classic 'Escape From Colditz' will be met with a lot of interest and excitement.
'Escape From Colditz' was originally published by Gibson Games in 1973 who published it until 2000. Rumour had it, at the time, that the rights of the game had been brought by an American Movie studio who were planning on making an 'Escape From Colditz' movie and wanted the game rights as part of any future merchandising.
The game was designed by Pat Reid, a British officer who was held at the Colditz prisoner of war camp during World War Two and managed to successfully escape from it, and Brian Degas who write the 'Colditz' TV series (BBC; 1972-74) based upon Pat's escape.
The game had one player take the role of the German Officers and the other players taking the roles of various nationalities of prisoners held at Colditz - British, French, Dutch, American and Polish - who move round the board, evading the German Officers, and collecting various items to aid them in their eventual escape attempt.
The new edition, due for release in October 2016 to coincide with the 75th anniversary of Pat Reid's escape, will feature completely new artwork, wooden playing pieces, and also include replicas of prisoner-of-war artifacts from Brain Degas' extensive collection.
Escape From Colditz has long been heralded as an iconic game with innovative game design. With Osprey's background of excellence in the military arena all the signs are that this new edition should hit all the right spots.
By Angus Abranson
They have already released several board and card games and had a presence at Essen Spiel this year but the announcement they've just made that they are working on a bringing back the classic 'Escape From Colditz' will be met with a lot of interest and excitement.
'Escape From Colditz' was originally published by Gibson Games in 1973 who published it until 2000. Rumour had it, at the time, that the rights of the game had been brought by an American Movie studio who were planning on making an 'Escape From Colditz' movie and wanted the game rights as part of any future merchandising.
The game was designed by Pat Reid, a British officer who was held at the Colditz prisoner of war camp during World War Two and managed to successfully escape from it, and Brian Degas who write the 'Colditz' TV series (BBC; 1972-74) based upon Pat's escape.
The game had one player take the role of the German Officers and the other players taking the roles of various nationalities of prisoners held at Colditz - British, French, Dutch, American and Polish - who move round the board, evading the German Officers, and collecting various items to aid them in their eventual escape attempt.
The new edition, due for release in October 2016 to coincide with the 75th anniversary of Pat Reid's escape, will feature completely new artwork, wooden playing pieces, and also include replicas of prisoner-of-war artifacts from Brain Degas' extensive collection.
Escape From Colditz has long been heralded as an iconic game with innovative game design. With Osprey's background of excellence in the military arena all the signs are that this new edition should hit all the right spots.
By Angus Abranson
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